CC-BY-NC-SA 2.0īreaking is considered the original street dance associated with the hip-hop subculture. A performer at “Don’ t Hit Mamas dance party.” Presented in partnership with Harlem Stage. Rapping has roots in West Africa, where griots, or storytellers, were responsible for preserving their people’s “genealogies, historical narratives, and oral traditions” (Britannica). They became the community’s voice, using improvised spoken words and rhymes to tell the social conditions and experiences of the community, often shedding light on social injustices. It was the emcees’ responsibility to pump up the crowd during parties. Through their experimentation with turntables and records, DJs found innovative ways to manipulate, isolate, extend, and loop the musical rhythms for dance.Įmcees (MCs) are also known as the Masters of Ceremonies. DJs initially hosted dance parties as part of social events. Attributed to Vinnebar CC-BY-SA-3.0ĭeejays (DJs), or disc jockeys, emerged as “the sounds and memories of the community” (Durden). Later, crews used graffiti to claim territories. Graffiti gained attention in the late 1960s when political activists illegally “tagged” or marked public places in defiance of government policies. Graffiti is “the visual language of the hip-hop community” (Durden). Hip-hop is a cultural expression characterized primarily by five foundational components: graffiti, deejaying, emceeing, breaking, and knowledge. Members of a Rwandan dance troupe perform at the Mountain Gorillas Nest lodge.
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